When I went from 100% cheetah…

…to 13% cheetah

walking down my high school hallway, senior year, March 8th, 2007


I had my books in hand, stacked

up to my chin. I glowered

over them, green eyes watching

every boy who winked at me.

They all thought I was some freak

in bed, that I’d leave saliva beaded

in their leg hair, or claw marks

down their shins, draw my longing in blood

for the acacia trees back home.

They thought I’d make them feel

special or whatever. All of the girls

wanted the same, to peek beneath

my spotted skin, steal my un-lined cat-eyes

and land, always, steady on their feet,

home in their bodies no matter what

roots tripped them up.

Or maybe that’s what I wanted

high school to be—the veneer

of desire bright as my canines.

My eyes were so sharp,

my coat so plush. I never got cold

in the classrooms, had to look stupid

like that kid who wore a winter jacket,

in June, because her seat was under a vent.

I didn’t have to push my glasses

up my nose in gym class when sweat

shoved them down with his hands,

and ran faster down my face

than my feet could ever move.

I didn’t have a dent in my forehead

from when, while changing,

all the other girls grew

into a pack and pushed me in a locker.

I wouldn’t have taken that poor girl’s place

for all the rare meat in the freezer section

of the Giant Eagle up the street. 



…to 35% cheetah

a diary entry, April 27th, 2005

Mom made me dinner

when I got home today:

mac ‘n cheese, no meat,

and so much seasoning:

basil, pepper, salt,

and those red flakes.

The doctor had said

I’d progressed a bit more

and maybe would stop puking

up anything a human

child would eat. Nope.

I bit my cheek and swallowed

my own flesh down

with the noodles,

nodding mmmmm,

and flipped on the TV

to America’s Next Top Model.

The girls were dressed

like the animals

I used to hunt back home,

and the gazelle looked

especially tasty. I wanted

to pull off her heels

and nibble her toes

to the bone, save

the lushest meat

for last. My rough tongue

lapped and lapped

my lips. I had to stuff

my mouth with my fingers

to force myself to stop. 




…to 47% cheetah
  ballet class, June 2nd, 2003

I sat on the grey PVC flooring and scratched 

at my thighs, itchy in my tutu’s netted tulle. 

My body felt like it did the time I climbed 

a sweet thorn tree when I was three 

and the needles pierced my coat and stuck

in my thumbs. That was the first trip 

my parents took me on to show me 

my heritage while they tried to figure out 

how I happened. At least the vachellia karroo 

was less painful to my paws than pointe shoes. 

The sales clerk at the Dancer’s Closet 

was confused about how to fit them. 

“Are you sure she’s a danseuse?” she asked. 

Of course, that was before the sleek feline 

no fucks that came with senior year. 

Then, I was still too cat to understand 

the human world. I loathed dance,

but my parents needed me to release 

my carnal energy before I crept into 

their room each evening and sprawled 

at the foot of the bed. They watched TV 

with silent nudges and exchanged glances

of fear that confused me. When they 

finally clicked the TV off, my watch began. 

My eyes reflected in my mother’s full-length 

mirror till dawn, when I’d yawn, bored 

from the long hunt that, day or night, 

never happened. Each time I entered the studio, 

the first thing I did was run my claws along 

the barre, marking it as my scrawling post.

Kelsey Ann Kerr

Kelsey Ann Kerr holds an M.F.A. in poetry from the University of Maryland, and is currently pursuing her J.D. at The George Washington University Law School. Kelsey has received scholarships from the Sewanee Writers' Conference and the Big River Writers' Conference. Her poetry also has been nominated for Best of the Net 2017 and 2018. Kelsey's work can be found in Stirring: A Literary Collection, New Delta Review, Mezzo Cammin, The Sewanee Review and the Atlanta Review, among others. She is revising and seeking publication for her first manuscript, The Anatomy of Color, which was a semi-finalist in the Crab Orchard Series in Poetry First Book Award competition in 2019.

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