For Mikey, who played the entire eight and a half minutes of Oh Comely at a 2009 open mic while it was still culturally relevant for sad boys to enjoy the music of Neutral Milk Hotel
and how a woman at the bar said oh there’s more and I didn’t want to tell her how much
and how it’s a song about the holocaust but most of the sad boys listening are actually just sad about themselves
and how I didn’t really have a notion of radical tenderness or tender masculinity or properly caring for someone other than myself
and how at some point in that eight and a half minutes the hall warden was going to have to listen to this eighteen year old sing about the smell of semen
and how snakebite-and-black only ever comes in a plastic cup
and how I was drinking so much that I’d throw up in my wet room en suite about once a week
and how nostalgia bludgeons the edges of the past until they’re smooth
and how Mikey and I were never really close
and how there are all these cultural touchstones that tell us a bit about who someone is
and how Neutral Milk Hotel is one of them
and how in particular which song from that album tells us something, you know?
and how my favourite song is King of Carrot Flowers Pt. 1 because I imagine the sadness of it occurring over breakfast
and how we’re all bored of sadness now so everyone listens to pop
and how we spend our time making jokes about the particular flavour of sad boy we used to be
and how we were soft but not kind
and how I still think the most romantic thing someone can do is pick vomit out of your hair
and how Mikey sang
and how I sang
O! song O! sadness O! comely
Cover photo by Bernadetta Watts